重庆融创壹号院:唯有精心设计,方有精品落地

美的探索、解构空间、服务于未来的社区生活中心

Aesthetics exploration, destructured space, serving the future community center



解构的美感,空间的定义

           Destructured aesthetics, Sense of place


重庆融创壹号院项目位于重庆主城核心区北部,建筑在原有的土建主体上提出了“城市中的美术馆”的概念,用解构的方式形成错位的空间重组,利用项目自身的高差变化,创造出丰富的室内外空间组合。其中1层为会所恒温泳池,2、3层后期将作为社区生活中心,4层为小型艺术馆,主入口则位于3层。

The project is located in the north of the Chongqing downtown. Architect proposed an idea of “museum in the city. Use elevation difference and destructured way to create a series of indoor and outdoor spaces where the first floor is the clubhouse with constant temperature pool, the second and third floors will be used as community center, the fourth floor will used as a small art gallery. Main entrance is located on the third floor.






重庆融创壹号院景观空间包含二个部分,一个是面向西侧的现状自然景观坡面,设计顺应地形高差变化,创造出三个从建筑延伸出去的景观露台,三个露台各有不同的视野以及空间感受。

Landscape space consists of two mains. One is different balcony terrace gardens facing west natural slope. Each of the three terraces has different views and spatial feelings.  




另一块则是场地面向东侧城市界面的体验空间,我们顺应建筑美术馆的概念,创造了一个“室外景观的美术馆”,利用墙体将场地解构成一个个不同的“展厅“,让进入主体建筑的体验仿若在参观一个室外的美术馆。

The other main landscape space east side of the site facing city interface. Following with the idea of “outdoor museum. Space got “destructured”into series of “exhibition rooms”. The experience from parking lot to building entrance is like visiting an outdoor art gallery.



空间的藏与露、抑与扬

           Hidden and revealed, denial and reward


重庆融创壹号院景观墙体的设计,让有限的场地最大化的利用了空间、界定了空间的尺度。墙高形成空间的“藏”,视线与动线结合的“露”,鼓励了空间探索中不时出现的惊喜与互动,入口错位的“门”与接待厅的设计,形成了空间序列起点的“抑”,让步行进入的参观者有个机会过渡心境的转换,放慢步调。

The design of the landscape wall maximizes the experience of the space. The height of the wall forms the sense of “hidden” of the space. The “revealed “surprise is experienced through the idea of “seeing and being seen “from traditional Chinese garden theory. The combination of sight and movement encourages visitors to explore and interact with the space and other visitors. 

Reception hall functions as first space“denial”at the starting point of spatial sequence, which gives visitors who walk in a chance to change their mood and slow down.




每个空间中的水景、乔木、格栅、地景雕塑成为每个空间中的“艺术展品“。空间随着时间的推移所产生的光影互动堆叠出空间丰富的样貌。人在空间移动之间产生多样的空间感受。

Water features, trees, white fence and landscape sculpture becomes the focal point and “art piece” in each exhibition rooms. The light and shadow interaction generated by space during the day forms a rich theme change. Producing a sense of space and time for visitors. 



看与被看,光影的盛宴

           Seeing and being seen,

           a feast of light and shadow


我们希望”人”能成为空间体验的主角,空间是围绕着人的感受来塑造的,当移动中的人成为画面中的主角,动线以及墙体的设计让每个空间的人出现,对另一个空间的观看者来说是突然的,这种”突然”的感受形成了空间中视线互动的又一个趣味。面向东侧城市界面突然打开的口子,则是另一个内部私属空间与外部公共空间的一个互动。

We hope that visitors can become the protagonist of the place. The place is shaped around human scale and senses.

When the visitors become the protagonists in the picture, the design of the circulation route and the wall allows visitors to sudden appear in each room. This "sudden" feeling forms another interesting interaction of sight in the space. The opening facing east is another interaction between private and public. 



墙体结合上部水平方向的横挑,除了提供夏季炎热的遮荫之外,也温柔的捕捉着一天当中光影的变化。洞石自身的颜色以及自然的肌理,温暖了空间的色差,平衡了植物的绿、江浪的灰、格栅的白、以及天空的蓝。

The canopy walkway provides shades in summer and gently captures the changes in light and shadow during the day, reflection of the light and water ripples. The genuine color and texture of the stone warms the space while also balances the green of the vegetation, the gray of the river wave, the white if the fence and the blue of the sky.



水的隐喻

           The metaphor of water


重庆的水与重庆的山一样闻名,水景的体验从步行开始的入口接待厅开展,一序列的变化象征水从高山叠瀑到低谷溪流的隐喻,从“瀑庭”开始,精细控制的水瀑平顺着落下,搭配着悦耳的水声,意指重庆的高山瀑布;经过“方影”,水的形态转变为略微抬起的水池,润泽无声的从四面落下,对应重庆坡地上的梯田。

The water in Chongqing is as famous as the mountains in Chongqing. The experience of the water starts from the entrance reception hall where the walk begins. A series of water features change symbolizes the metaphor of water from high mountain waterfalls to low valley streams. Starting from the "waterfall", a finely controlled water falls smoothly, with a pleasant sound of splash, which metaphors as Chongqing's high mountain waterfall; in the second room, shape of the water changes into a slightly raised water table, and it falls silently from all sides, corresponding to the terraces landscape of Chongqing.



随着步行接近主体建筑,空间的尺度也越来越大,最后的江浪庭院。则是空间序列中最后的“扬”,类似传统日式庭院,地景触动人对自然的想象,江浪在一年中流淌起来,激起浪花。

As visitors walked closer to the main entrance, the scale of the space and the openness became larger and larger, and finally in the last space promotes the sense of “reward” in the spatial sequence.  The water wave sculpture is inspired from Japanese Zen garden. The scenery touches people's imagination of nature.



最后的“听浪”地景雕塑则是用一种类似枯山水的设计来触动重庆江与雾的想象。三个水的形态贯穿了整个空间序列,在丰富体验的同时,也蕴含了重庆的自然景观寓意,从高山瀑布依序到低谷江流。

The “Water Wave” landscape sculpture touched the imagination of Chongqing's rivers and fog inspired by Japanese Zen garden. The forms of the three water features run through the entire space sequence. While enriching the experience, they also imply the natural landscape of Chongqing, from the mountain waterfall to the valley river in sequence.


艺术的本质

           The essence of art




“艺术就是刚好在我们的理解范围之内,但是又是在现实之外的;

"Art is just within our understanding, but outside of reality;



让我们在欣赏她的一瞬间,忘记了这个俗世,但是她却没有超脱出我们理解的范围;我们可以通过她来思考,这个世界本来的样子,这个世界应有的样子。

Let us appreciate her for a moment and forget this secular world, but she has not exceeded the scope of our understanding; we can rethink the world through her as it is and the way the world should be.



这个世界本来没有艺术品,有的只有艺术家,

我们所看见的不是作品,而是作品背后的那个人,以及,你自己。”

There is no art in this world, there are only the artists, what we see is not the work, but the person behind the work and yourself. " 



我们希望透过重庆融创壹号院这个设计,探索空间中一种美的可能,也希望游走在当中的人,能够产生对未来在这里生活的畅想。

We hope that through the design of Chongqing One Sino Park Art Center, we can explore a possibility of aesthetics, and hope that those who visit can have an imagination of living here in the future.



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